I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…
所有的组件通过 统一插件管理器（Universal Plugin Manager）进行管理，这个也被称为 UPM。UPM 可以在几乎所有的 Atlassian 应用中找到，能够提供完整同意的插件安装管理体验。希望进入统一插件管理器（UPM）页面，在 Confluence 的页面顶部，单击 > 组件（Add-ons）。 UPM 允许你进行下面的操作： 从 Atlassian Marketplace 中查找，发现和安装新的组件。 安装或者删除组件。 配置组件设置。 为组件所在的模块中，启用或者禁用组件。 在升级 Confluence 之前确定组件的兼容性。 你需要具有 Confluence 管理员权限才能访问 UPM。请访问 Request Add-ons 页面获取用户如何找到和请求组件。 请查看 Universal Plugin Manager documentation 来获得更多有关 UPM 的信息。 禁用和卸载组件 你可以从安装的组件中禁用或者取消订阅你已经不再使用的组件。请查看 Disabling and enabling add-ons 页面获得有关更多取消和启用的相关信息。 一旦组件被禁用了，这个组件相关的所有功能将马上不能使用。如果一个组件包括了宏（macros），那么使用这个宏的页面见鬼出现未知宏（unknown macro）的错误信息。为了避免这个错误，你可以在禁用这个这个组件的时候，你可以通过检查宏使用状态来检查你站点中使用的宏。 进入 > 基本配置（General Configuration） > 宏使用（Macro Usage）。 https://www.cwiki.us/display/CONFLUENCEWIKI/Managing+Add-ons+or+Plugins
一个 组件（add-on）是与 Confluence 分开安装的功能，能够加强 Confluence 的功能和使用。插件（plugin）和 组件（add-on）这 2 个词通常是一起使用的。 一共有 2 个主要类型的组件： 系统级别的组件 - 这个类型的组件为 Confluence 系统提供核心的功能 用户安装的组件 - 这个类型的组件通常可以单独下载。在 The Marketplace 中通常由 Atlassian 开发或者第三方的公司开发。 有关在 Confluence 中开发你自己组件的方法，请参考页面 Confluence Developer documentation 中的内容。 https://www.cwiki.us/display/CONFLUENCEWIKI/Managing+Add-ons+or+Plugins
最佳实践 SAML 授权仅仅在有限的时间进行校验。你需要确定运行你的应用的计算机时间与 IdP 的时间是同步的。 如果你应用中的用户和用户组是通过用户目录进行配置的，你通常希望用户来源目录和你的 IdP 和 Atlassian 应用使用相同的 LDAP 目录。用户需要在用户目录支中存在才可以使用 SSO 进行登录。 故障排除 如果你错误的配置了 SAML 收取，或者不能登录到你的 IdP。你可以通过删除请求来让你的登录授权恢复（在你用户目录中为一个管理员用户配置使用一个用户名和密码）。 curl -u admin_user:admin_password -X DELETE http://base-url/product/rest/authconfig/1.0/saml 如果授权有错误发生，用户将只能看到基本的错误信息。基于安全的考虑，有关错误的具体信息将不会显示，你需要检查应用程序的日志来找到错误发生的具体原因和问题是什么。 在一些情况下，你可能看到你的 IdP 显示错误信息。在这种情况下，你需要一些 IdP 的诊断工具来确定你的 IdP 的问题，这方面问题的解决 Atlassian 不提供相关的服务。 当使用 使用 SAML 为主授权（Use SAML as primary authentication）同时你还有有验证码被启用的话，使用 HTTP 的基本授权（例如在 REST 资源调用）可能将用户锁定，如果用户输入的错误用户名和密码信息次数太多的话。在这种情况下，需要一个系统管理进入后台重新设置用户登录错误次数的计数。 https://www.cwiki.us/display/CONFLUENCEWIKI/SAML+SSO+for+Confluence+Data+Center